Top modern poetry from Jean Arno? Jean Arno is a digital artist whose NFTs digital paintings and 3D sculptures are exhibited in the metaversal gallery “Art & Above” and the leader of the crypto art and the artistic movement “Chaosism” which he theorized in “The art of totality”. A selection of poetic aphorisms with philosophical wisdom and Orphic mysteries about life, love, existence and beyond. The book represents a true intellectual experience which will transport you to a symbolic and mystical world where you will discover that “the highest truths are not given; they are conquered. The light they beam blinds those it does not guide”. See additional info on Jean Arno.
With Trophies, Jean Arno not only pushes the art of writing to the heights of the ancient glories of France—Hugo, Baudelaire, Rimbaud, Eluard—with whom he competes; he joins depth of thought with the harmonies of his classical hexasyllables. Nietzsche himself would probably have made these verses his own: “ Free is the will / Sovereign and great / Whose lightning controls / The palaces of fate”. The poet-philosopher makes himself a high idea of poetry, “supreme art, (…) it releases from the darkness of the being the invisible powers and lets bloom in their supreme clearness the germs of light inside them”.
The new, digitized universe, praised by Mark Zuckerberg, opens up a world of infinite creative possibilities, which is why the digital art gallery Art & Above has decided to take the plunge by moving into the Metaverse. “We have created a new kind of art gallery: any artistic object—including the art gallery itself—becomes the occasion for an artistic experience … for collaboration. The visitor is no longer a contemplator; he is called to become an artist himself and to create”, says the founder, Jean Arno.
What forms will the arts take in the digital universes now commonly called the Metaverse? NFTs (non-fungible token) artwork, protected by unique numbers, is now unequivocally the future of the arts. For example, suppose the punk-geek universe dominated the NFT art market in the 90s and 2000s with its video game, comics, manga heroes, heroic fantasy, and science fiction. In that case, it is now competing with artists who produce the new art of the 21st century. Such art includes satirism like Bansky’s iconic street art, with its strong criticism of capitalism and mass public manipulation at the hands of politicians and the media.
Artistic practices such as painting and music and my studies in literature and philosophy have undoubtedly had a major influence on my way of looking at the world and on my style. The rest of my life has been a succession of trips around the world to places like New Caledonia, Bulgaria, the USA, and England. I’ve had interesting encounters with pictorial and literary creations at the great universities of Oxford, Stanford, and Harvard, and also in the influential artistic circles of San Francisco, London, and New York. This diversity has fostered in me a more nuanced mind and more assertive values. See extra information at Jean Arno artist.
The poet, like Nietzsche, reminds us of an obvious fact that we should never have forgotten: human beings reach their highest freedom as creators. However, we have moved away from this path because it requires qualities that are difficult master. High creation requires us not to succumb to the temptations of our time — the temptations that lead artists and intellectuals to produce only works that conform to a determined horizon of expectation, which are often uniform and superficial. The mind that wishes to produce exceptional thoughts must necessarily make an effort to “[persevere] in being” to use Spinoza’s words, or to overcome itself in creation. Readers must gather all their intellectual forces to reconstitute the reasoning contained in the final and triumphant poetic formula. Arno delivers these explanations of his poetic art in unpublished and hidden texts. In the manner of Leonardo da Vinci, the poet hides codes in his texts that lead to “sacred relics.”